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	<title>Comments on: Distance in Portraiture</title>
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	<link>http://www.marcdalessio.com/distance-in-portraiture/</link>
	<description>Recent Paintings and General Musings on Art</description>
	<lastBuildDate>Wed, 08 Feb 2012 10:36:21 +0000</lastBuildDate>
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		<title>By: Marc</title>
		<link>http://www.marcdalessio.com/distance-in-portraiture/comment-page-1/#comment-57</link>
		<dc:creator>Marc</dc:creator>
		<pubDate>Wed, 31 Dec 2008 12:50:38 +0000</pubDate>
		<guid isPermaLink="false">http://www.marcdalessio.com/?p=25#comment-57</guid>
		<description>I use imprimaturas occasionally for smaller sketches on boards outside (a bright orange similar to what some of the macchiaoli painters used).

On big canvases I&#039;m always worried the imprimitura will soak into the painting at a later date, like the red bole grounds did in many of the paintings you see in the Pitti.

I also like the luminosity I get with the ligher ground. At Charles&#039; school we never used imprimaturas, so I wasn&#039;t trained to use them, (and to be honest I&#039;ve never really seen the point anyways).</description>
		<content:encoded><![CDATA[<p>I use imprimaturas occasionally for smaller sketches on boards outside (a bright orange similar to what some of the macchiaoli painters used).</p>
<p>On big canvases I&#8217;m always worried the imprimitura will soak into the painting at a later date, like the red bole grounds did in many of the paintings you see in the Pitti.</p>
<p>I also like the luminosity I get with the ligher ground. At Charles&#8217; school we never used imprimaturas, so I wasn&#8217;t trained to use them, (and to be honest I&#8217;ve never really seen the point anyways).</p>
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		<title>By: Emile B Klein</title>
		<link>http://www.marcdalessio.com/distance-in-portraiture/comment-page-1/#comment-56</link>
		<dc:creator>Emile B Klein</dc:creator>
		<pubDate>Wed, 31 Dec 2008 09:44:23 +0000</pubDate>
		<guid isPermaLink="false">http://www.marcdalessio.com/?p=25#comment-56</guid>
		<description>wow mark, I am really intrigued by the method shown in both films. Have you always worked straight from a white canvas, or do you ever go in with a campitura (or imprimatura, as called at FAA)?</description>
		<content:encoded><![CDATA[<p>wow mark, I am really intrigued by the method shown in both films. Have you always worked straight from a white canvas, or do you ever go in with a campitura (or imprimatura, as called at FAA)?</p>
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		<title>By: Wendy</title>
		<link>http://www.marcdalessio.com/distance-in-portraiture/comment-page-1/#comment-14</link>
		<dc:creator>Wendy</dc:creator>
		<pubDate>Wed, 24 Sep 2008 08:21:59 +0000</pubDate>
		<guid isPermaLink="false">http://www.marcdalessio.com/?p=25#comment-14</guid>
		<description>Cool, Leo said it best, are you our modern day Valesquez?</description>
		<content:encoded><![CDATA[<p>Cool, Leo said it best, are you our modern day Valesquez?</p>
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	<item>
		<title>By: leo</title>
		<link>http://www.marcdalessio.com/distance-in-portraiture/comment-page-1/#comment-4</link>
		<dc:creator>leo</dc:creator>
		<pubDate>Mon, 18 Aug 2008 16:53:18 +0000</pubDate>
		<guid isPermaLink="false">http://www.marcdalessio.com/?p=25#comment-4</guid>
		<description>Bravo Marc a las meninas.

Using your biff Dalessio brushes?</description>
		<content:encoded><![CDATA[<p>Bravo Marc a las meninas.</p>
<p>Using your biff Dalessio brushes?</p>
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