Zagreb Nocturnes

Since the days are so short here in Zagreb (and I’m losing my mornings to language classes), I’ve been trying my hand at plein air nocturnes lately.

The Bar at Zvijezda (2011). 20 x 30 cm, oil on panel.

The Bar at Zvijezda (2011). 20 x 30 cm, oil on panel.

Last winter I tried one nocturne of the small bar around the corner from my house. The idea was to sketch the composition in pencil and then begin the lay-in on site. However, for the bulk of the work I had the painting elsewhere and, in the evenings, I would stop and try to memorized the view and then paint later from memory. It was like sight-sizing from a block away. The idea was based on the quote by Degas about memory drawing:

“If I were to open an academy I would have a five-story building. The model would pose on the ground floor with the first-year students. The most advanced students would work on the fifth floor.”

This year I’m more prepared. These new clip-on LED lights work very well, and have a much cooler light than the ones you could buy, years ago, when I last tried plein air landscape painting at night. The brand I’m using is Mighty Bright from Santa Barbara, CA and I have the two pronged ones they make for orchestra conductors. (Edit: As Jerry Campbell commented, these lights can be slightly blue. I also found myself compensating to knock down the oranges. Pushing the light right up to the canvas warms it up a bit, but if anyone one has a suggestion for a more neutral plein-air-at-night lighting solution, I’d love to hear it).

My set-up for nocturnes.

My set-up for nocturnes.

A second set of lights would be great as I don’t get enough light consistently across the panels and have to move the light to where I’m working.

Painting in the snow at night can be really cold. I wrote a post last winter on keeping warm, which you can read here.

Cathedral Nocturne #1. 35 x 25 cm, oil on panel.

Zagreb Cathedral Nocturne #1. 35 x 25 cm, oil on panel.

Cathedral Nocturne #2. 30 x 20, oil on panel (unfinished).

Zagreb Cathedral Nocturne #2. 30 x 20, oil on panel (unfinished).

The Central Train Station at Night, Zagreb. 25 x 35 cm, oil on panel.

The Central Train Station at Night. 25 x 35 cm, oil on panel.

More to come. In the meantime, here are a couple more from the heavy snows we’ve had this month in Zagreb.

Winter, Britanski Trg.

Winter, Britanski Trg. 20 x 30 cm, oil on panel.

Mirogoj in the Snow.

Mirogoj in the Snow. 30 x 40 cm, oil on panel.

Hrvatsko Narodno Kazalište

Steps of the HNK. 30 x 20 cn, oil on panel.

Ulica A.G. Matoša, Zagreb

Ulica A.G. Matoša. 28 x 18 cm, oil on panel.

Croatia: The Local Talent

Continuing my series of great ‘regional’ painters (previous ones were Holland, California, Italy, and Russia), here are a few great painters from Croatia.

Vlaho Bukovac

Bukovac was born in a small town on the coast south of Dubrovnik to an Italian father and Croatian mother. He studied in Paris with Cabanel and worked in Zagreb, Belgrade and Prague. His life story is quite interesting and included a stint in a reform school in New York and painting trains in Peru (more here).

While famous for his large Salon-style pieces and portraits, he also painted a lot of beautiful plein air sketches.

Gundulićev San (Gundulic's Dream). 1897

Gundulićev San (Gundulic’s Dream). 1897

Baron Ljudevit Vranyczany. 1898

Baron Ljudevit Vranyczany. 1898

Courtyard in Cavtat. 1899

Courtyard in Cavtat. 1899

This nude reminded me of his teacher’s famous painting:

Reclining Nude. c. 1900

Reclining Nude. c. 1900

Alexandre Cabanel. The Birth of Venus, 1864

Alexandre Cabanel. The Birth of Venus, 1864


Miroslav Kraljević
was only 27 when he died of tuberculosis. He studied in Munich and Vienna. (He kinda looks like Valdemar Lethin).

Self-portrait with Dog. 1910

Self-portrait with Dog. 1910

Unfortunately the above image quality is rather poor. Below is a great detail of the dog from Croatian painter Valentino Radman’s blog:

Self-portrait with Dog (detail).

Self-portrait with Dog (detail).

Josip Račić also died very young, only 23, but is considered one of the most important modern Croatian painters. He was part of the ‘Munich School’ with Kraljević and a couple of others.

Self Portrait. 1906

Self Portrait (detail). 1906

Portrait of the Artist's Sister. 1907

Portrait of the Artist’s Sister. 1907

Pont des Arts. 1900

Pont des Arts. 1900

Another good 20th century painter who’s work is in the museum here in Zagreb, but is hard to find online, is Vladimir Filakovac. Valentino Radman has a couple of blog posts on him here and here.

Other interesting historic Croatian painters are Čikoš SesijaRobert Auer, Mato Celestin Medović, and Mirko Rački.

 

The Dalmatian Coast

Sunset on Korcula. 20 x 30 cm, oil on panel.

Here are a few of the sketches I did the past two weeks in Southern Croatia. The Dalmatian coast is stunningly beautiful. We had beautiful weather, the food and wine are great, and it’s still relatively inexpensive as far as European beach towns in August go.

Corner at Sveti Nikola, Korcula. 20 x 30 cm, oil on panel.

Bar in Korcula. 30 x 20 cm, oil on panel.

Rampada, Korcula. 35 x 23 cm, oil on linen.

Street in Korcula. 35 x 25 cm, oil on linen.

Jet-Ski Rental on Primosten. 18 x 25 cm, oil on panel.

Dubrovnik is especially beautiful, though the crowds in August are not for the faint of heart.

The Cathedral from Poljana Boškovića, Dubrovnik. 30 x 20 cm, oil on panel.

Gardens on Lokrum. 35 x 25 cm, oil on panel.

Umbrellas in Gundulic Square. 30 x 20 cm, oil on panel.

Church in Dubrovnik. 25 x 17 cm, oil on linen.

Street in Dubrovnik. 30 x 20 cm, oil on panel.

There are a few more that still need a lot of work. I’ll post an update when they’re finished.