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	<title>Marc Dalessio &#187; lighting</title>
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	<description>Recent Paintings and General Musings on Art</description>
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		<title>Studio Lighting Part II &#8211; Artificial Light</title>
		<link>http://www.marcdalessio.com/studio-lighting-part-ii-artificial-light/</link>
		<comments>http://www.marcdalessio.com/studio-lighting-part-ii-artificial-light/#comments</comments>
		<pubDate>Mon, 21 Dec 2009 09:51:00 +0000</pubDate>
		<dc:creator>Marc</dc:creator>
				<category><![CDATA[Studio]]></category>
		<category><![CDATA[6000k]]></category>
		<category><![CDATA[artificial studio light]]></category>
		<category><![CDATA[Barrisol]]></category>
		<category><![CDATA[light box]]></category>
		<category><![CDATA[lighting]]></category>
		<category><![CDATA[north facing window]]></category>

		<guid isPermaLink="false">http://www.marcdalessio.com/?p=1659</guid>
		<description><![CDATA[On the shortest day of the year, I thought it would be fitting to do a post about using artificial (or electric, artificial sounds so pejorative) light for painting. For many years I would only work under natural light, but I was losing so much painting time in the winters that I needed to do [...]]]></description>
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		<title>Lighting the model in portraits</title>
		<link>http://www.marcdalessio.com/lighting-the-model-in-portraits/</link>
		<comments>http://www.marcdalessio.com/lighting-the-model-in-portraits/#comments</comments>
		<pubDate>Sat, 01 Nov 2008 23:02:35 +0000</pubDate>
		<dc:creator>Marc</dc:creator>
				<category><![CDATA[Portraiture]]></category>
		<category><![CDATA[Ingres]]></category>
		<category><![CDATA[Klimt]]></category>
		<category><![CDATA[lighting]]></category>
		<category><![CDATA[Portraits]]></category>
		<category><![CDATA[Poussin]]></category>
		<category><![CDATA[Sargent]]></category>
		<category><![CDATA[Serov]]></category>
		<category><![CDATA[Van Dyck]]></category>
		<category><![CDATA[Vermeer]]></category>
		<category><![CDATA[Vigée Le Brun]]></category>

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		<description><![CDATA[This post is for my portrait student in our discussion about lighting for portraits. I quickly pasted together a few examples to explain myself better. The classic 3/4 view, light on both sides of the face with a strong &#8216;Van Dyck Z&#8217;. Painter stands between the window and the model: Light on the far side [...]]]></description>
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