Cala di Forno is a magical little spot on the southern Tuscan coast. It’s a tiny clump of buildings just next to the beach, in the middle of a large natural park. Much of the park is off limits, even to those staying in the houses, so there is a lot of wildlife around. Down near the houses there are tame deer that stand under the fig trees, waiting for the kids to pick the figs for them (though they don’t stand still enough to paint with any accuracy).
We spent last week there with a few other painters. After walking all over Rome in the heat, it was nice to be restricted to a tiny area in which to work. Many of my paintings were done within 10 meters (30 feet) of the front door.
Plein air painters often look for people who are going to be in the same place for long enough to paint. Fishermen, for example, work great as subject matter as they move very little over the course of hours. I spent a few sessions painting the other artists while they worked. Other painters make great subjects since I have a good idea of how long they take to finish a piece, and thus for how long they’ll stay still.
The beach can be accessed by boat, so many arrive and park their boats in the little bay. The water is so shallow, they often just walk from their boat to the shore (swimming the first bit, obviously).
I spent a lot of time trying to paint people on the beach.
I even tried painting kids, though I have no idea how Sorolla did it, they moved much to fast for me.
In plein air painting, sometimes I find restricting myself to a small area in which to work can be better than moving around a great deal. The extra time not spent scouting and traveling means more time for the paintings.