These plein air paintings are actually from a few weeks back, but I never got around to posting them. I was working in the area around Montisi (east of Siena), and looking for views that would work as larger compositions for studio paintings to be done over the winter.
As I’ve discussed before on this blog, the Holy Grail of landscape painting is a view where the foreground, middle-ground, and background compose well and I spend a great deal of time every year driving and walking in search of such a view. An obvious question would be ‘why not just invent it from parts of views taken elsewhere?’ The answer for me is that, in part, my training makes it difficult. I was trained with the more ‘Impressionist’ methodology of sight-size, which requires the subject to be in front of the artist (as opposed to a ‘construction’ based painting system). In part though, it’s also a component of my philosophy on painting of taking a more humble and reverent approach to viewing the natural world. Furthermore, there is a historic precedence as seen in the work of a great number of plein air painters, and Henry Fuseli said it best: “Selection is the invention of the landscape painter”.
It means a lot of driving though.
I’ll often do a number of paintings of the same view when I do finally find one that will work on a larger canvas. This is in addition to a number of pencil sketches to figure out the balance and composition of the final piece.
One of my favorite ‘tricks’ to finding good views in central Italy is to look for the cemetery. They tend to be placed just the right distance from the town, usually with a very good view on the town, and they have parking and shade to work under.
Overall I was quite happy with this short excursion and I think I can make at least three larger studio pieces from a few days worth of scouting.